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Daddy's Boy Maxi

by Bernardino Femminielli

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1.
Daddy's Boy 07:16
2.

about

Like a dream within a time capsule, the two songs seek to present an anachronistic life in a purified and mythical universe. Time is trafficked according to the melodies, to restore their brevity and intensity and consist only of the purest moments shared between Daddy and his "Johnny."

In this trance/alt universe, everything on display is a fragmented projection of oneself. The actions are set in a somber reality (Daddy’s Boy) and a baroque fantasy (Daddy’s Boy Rhapsody) which allow the two protagonists to enter the field of “the game”-- the theatricalization of their shared fantasies. Exhibitionism is the privileged vessel of a spectacle of excess. According to Lacan, exhibitionism is the theater within the mirror which is engraved in primary narcissism-- the outcome of the exhibitionism is the desire for obscene provocation. Obscenity is defined by its attraction to condemnation: a challenge and reaction against a rigid audience. Between the story’s heroes, an obscene emulation is created: Johnny nominates himself "the nastiest" and takes it upon himself to magnify Daddy's debauched portrait:

"Ohhhh Daddy’s Boy...".

We are the foreign travelers
Love by proxy
We mix our past
With our daily troubles
I am the angel of loneliness and he is the saint of isolation
We disturb everything with our tricks, vulgarity and our cheap provocations
We represent the fear of a society that keeps the truth
Maybe the actors are just looking for an audience to violate

credits

released February 22, 2022

Music & Production by Bernardino Femminielli, Asaël Richard-Robitaille, Pierre Guerineau & Jesse Osborne-Lanthier
Daddy's Boy Rhapsody is a remix by Jesse Osborne-Lanthier & Asaël Richard-Robitaille

Mastered by Jesse Osborne-Lanthier

Photography: Étienne Lacelle & Peter Hostak
Design and layout by Thea Govorchin

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Bernardino Femminielli Paris, France

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